![]() Best Camera Gear: Top 5 lenses for shooting video with the Panasonic GH5.I round-up some of my favorite lenses for the GH5 in this article here: The Sigma 18-35mm as I mentioned above is a sweetheart to be sure, but, of course, there are (many) others to consider for the GH5. Top 5: Best Lenses for Shooting Video on a Panasonic GH5 All worth considering if you’re looking to take audio on the GH5 to the next level. But, Rode makes a bunch of good mics, some costing less and others like the NTG costing more. I especially like the redesigned Videomic Pro+. They’ve been around seemingly forever, and make high quality gear at reasonable prices. Thinking about an external mic for your GH5? Rode is a pretty good place to start. I shared my thoughts on the Atomos Ninja Inferno with the GH5 here on Stark Insider. Very nice for color grading! I also like that the Ninja Inferno has a bright and large 7-inch display. But, add an external monitor/recorder such as this Atomos Ninja Inferno and you can capture 4K/60 in 10-bit color space. For instance, it’s one of the few cameras in its price range that can shoot 4K/60fps - handy for stylish slomo. It’s that good.”įull article: Best Lens for Panasonic GH5 Video Shooters: Sigma 18-35mm ART f/1.8 Monitor/Recorder for GH5: Atomos Ninja Inferno Gorgeous! I now get why people call the Sigma 18-35 like using 3 primes, 18/24/35mm. But with the Speedbooster on a GH5 you get that extra stop of light and a slightly wider field of view which just opens up the creative possibilities. I wrote about the Sigma here on Stark Insider, and noted: Because I have the EF mount, I can use it on a Canon, RED, and, with a Metabones Speedbooster adapter, also on the GH5. Looking for one do-it-all lens for your GH5? Consider the epic Sigma 18-35mm f/1.8. Lens for Video Shooting on GH5: Sigma 18-35mm ART f/1.8 Hopefully for those researching cameras or just getting started with your own GH5 will find something helpful. I decided to roll-up some of my favorites into a quick summary. If you’ve stumbled across Stark Insider over the past few months you’ve probably read a few of my articles on the GH5. When a compact or discrete rig is needed, though, it’s hard to beat the little GH5 (and it’s unassuming DSLR look). When I can I’ll always go for Redcode (R3D) and shoot a RED, especially for controlled narrative projects. ![]() For anything related to run-and-gun and travel video, however, it’s the GH5 all the way. I still prefer the handling and 24MP stills on the Canon EOS 80D and use it still for serious photo sessions. A long-time Canon DSLR shooter I never expected to fully make the leap to mirrorless, let alone for a camera with “only” a Micro Four Thirds (MFT) sensor.Īfter shooting several projects - music videos, short films & docs, events - I’ve come away thoroughly impressed. I’ve been shooting video on the GH5 since its release. Panasonic GH5 with Rokinon 35mm lens and Clint’s DIY light gel. When it comes to cost everything is relative. ![]() Sony’s well-regarded Alpha range start at about $1,000 more - though, granted, you get a full-frame sensor with the likes of the a7S and a7R range. But not that expensive when you consider the GH5 feature set, and cross-shop the competition. Yes, at $1,998 USD the GH5 is admittedly a pricey camera body. Panasonic’s flagship mirrorless shipped earlier this year, and amidst considerably high expectations became the it camera for indie filmmakers, videographers, wedding shooters, and for just about anyone else too.
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